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about
For best results, listen in stereo. I started by playing a 3 mallet part loosely including polytonality, and composed a somewhat complex melody through several takes of improvisation - weeding out a whole lot of extras before keeping what I enjoyed hearing. The melody guided my mind toward the sonic imagery of a "weeping robot." Rather than focus on a traditional rhythm section sound, I dug a little further into both acoustic and electronic manipulation of sound. The "snare drum" you hear is the sound of my thumb plucking as far up on a flex-a-tone as I could before altering the recording with a bit crusher. The triangle is dipped in water. The pop tube has plenty of manipulation through effects, which are almost identically added to the recording of peepers in nature. My musical journey is a continued effort to discover new sounds and new ways to use old sounds. This one is a little out, but please... Hear Me Out.
The "Quick Vibes" collection is written during the recording process, so what you hear is a raw and natural creative process coming together right at the console. This brings a live energy - straight from my brain into sound as fast as possible.
It’s an honor and a privilege to create music. Music transcends borders and boundaries of location, time, and culture. Digging deep into music is learning about these histories and cultures. I want to pay respect to the chain of sonic creators before me. My steel pans were crafted in the 1990s by Trinidadian master builder/tuner Dr. Ellie Mannette and are still maintained by his long-term apprentice Chanler Bailey. The musical melting pot that inspires me includes genres and sounds blended from multiple regions - Trinidad, of course, followed closely by Jamaican reggae and ska, often interwoven with global influence from far and wide. I rely heavily on improvisation in my process: composition, recording, and performance. Technology has advanced the exchange of information in such a rapid way that we can learn and build together rapidly from around the globe. Music travels, develops, transforms, and returns. Recording is a spotlight on a single moment of this process - a single moment that we’ve often taken the time to revisit and redevelop. I am not trying to be another musician, but like any creator, my output is limited to ideas that stem from whatever input and experience I’ve gained along the way through life. Creating through this lens of experience is one of the ways I enjoy life. I urge you not just to listen to music, but to hear and experience music. Let the sounds influence your vibe. Travel. Develop. Transform. Be inspired. Inspire others. Create and enjoy art.
Peepers recorded in nature by Aaron Abrahamson Cote
Composed at the console by Aaron Abrahamson Cote
Engineering, Mixing, & Production by Aaron Abrahamson Cote
Art Concept & Design by Aaron Abrahamson Cote
Fronted by an island boy on steel pan, our music bridges cultures and experiences by sharing music through the lens that inspires us and makes us feel. Sheet music available for most original selections.